March 02, 2014

How Fiction Works

51jXQz5S_OL.jpgHow Fiction Works

James Wood
Picador, 2009

Mr. Woods’ book is used in the Writing Program at Columbia and its principles are frequently referred to in the deliberations of the Columbia Fiction Foundry. Introduction to Free Indirect Style

Amazon.com review posted by Ralph White

 There are a lot of books out there about how not to write badly but there are very few about how to write well. James Wood's How Fiction Works is one of the best. The first chapter, titled Narrating, contains critically important information for the fiction writer. The essence of the lesson, and it is hard to do it justice in a few sentences, is that excellent contemporary fiction differs from its predecessors in that it the author's presence is entirely absent. The reader becomes the character, inhabiting the character's consciousness. The reader, employing all of the character's senses, becomes the designated perceiver. And the reader is free to interpret these perceptions independently. This style of writing goes by several names but Wood likes "free indirect style."

The second chapter tracks the birth and development of free indirect style in modern literature, citing Flaubert as its originator and James as its master. These two chapters, circa 60 pages, comprise the essence of the lesson, with the rest of the book essentially a PhD thesis on the birth of modernity in literary fiction. Interesting to be sure, but not remotely as informative as the first 60 pages, especially for beginners.